This site is dedicated to vintage Gibson bass guitars and vintage Epiphone bass guitars: specifically electric basses produced at Gibson's legendary Kalamazoo plant, in Michigan, USA. There's a lot of detailed technical and historical information on the various Gibson bass models and the components fitted to them: follow the links on the right for specifications, shipping data, wiring charts etc.
Jump straight to the content: Gibson EB-0, EB-0F, EB-1, EB-2, EB-3, EB-4L, SB300/400, SB350/450, Melody Maker bass, Thunderbird, Les Paul bass, Les Paul Triumph, Les Paul Signature, Ripper, Grabber, G-3, RD series, Victory series; Epiphone Rivoli, Newport and Embassy Deluxe
And check out the section on interviews with musicians associated with Gibson bass guitar: Jack Casady, Mike Watt, Andy Fraser and numerous others
| Interview: Dave Kiswiney |
 Dave Kiswiney has played Gibson (and latterly Heritage) bass guitars for his entire career. As a musician, he is best known for his time playing the Gibson Ripper with Ted Nugent; as a Gibson endorsing artist, he was the face of the Gibson Victory bass - appearing in all the advertising at the time. Dave has always preferred active instruments, and owns a number of (almost) unique active basses, an active single pickup Victory, an active single pickup Gibson Explorer bass, and a five string Heritage bass. Read his interview to find out about his career in music, his time with Ted Nugent and his amazing bass collection.
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| 1981 Gibson Victory Standard |
 The Victory bass series was designed by the Gibson research and development team, based in Kalamazoo, Michigan, though all but a few demonstration models were produced at the newer Nashville plant. This was the first bass model to be exclusively produced there. The Victory Standard was included in price lists from 1981 until 1986, though the vast majority, like the bass featured here were built in the second half of 1981.
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| 1964 Gibson EB0 |
 The EB series evolved throughout the period of production, with (mostly) minor hardware and construction changes occurring every couple years. 1964 basses are typified by their mix of early features: wide, but slightly shallower neck, non-intonatable bridge, 'small' control cavity cover and nickel-plated hardware; most obviously the pickup cover (previously black bakelite - compare with a 1962 EB0, later chrome-plated - see this 1966 EB0)
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| 1972 Gibson EB0L |
 A very unusual long scale 1972 Gibson EB0L practically all Gibson EB-0 bass guitars had a mahogany body with a translucent Cherry or Walnut finish. This bass has an alder body with natural finish, and somewhat different hardware, with more in common with an Gibson SB-450, rather than a typical seventies EB bass. Despite being built in 1972, this bass was most likely one of just 5 natural EB-0 basses shipped in 1973, according to the EB-O shipping stats.
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| 1978 Gibson G-3 |
 The Gibson G-3 bass was first shown to the public at the 1975 NAMM show, and was an immediate success; it remained in production throughout the 70s, with small numbers being shipped in 1982 and 1985. The three in G-3 is, of course, a reference to the three pickups and associated circuitry designed by Gibson employee Bill Lawrence. The vast majority of G-3s shipped had a Natural or Ebony finish, although small numbers had a Candy Apple Red, White, Walnut, Wine Red or Tobacco Sunburst as shown here. For more, see the G-3 production totals.
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| 1974 Gibson L-9S Ripper |
 Although a few were completed in 1973, 1974 was the first year the Gibson Ripper bass was shipped in any numbers. It was one of the first new designs by Bill Lawrence who came to Gibson in the early 1970s. Early examples, like this, have a wider slab body, without the sculptured bevelling of later Rippers, but are essentially the same in other respects. The Ripper was in sharp contrast to the short scale 'muddy' mahogany basses that had dominated Gibsons output of the previous decade, and was immediately sucessful. Have a listen to the soundclips of this bass, through several vintage amplifiers.
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| 1961 Gibson EB3 |
 A 1961 Gibson EB3 bass. 1961 was the first year of EB3 production, and the year Gibson first used the classic SG shape. Like the SG guitars, the EB3 was built at the Gibson plant in Kalamazoo. Early EB3s are characterised by their chunky necks, wide-spaced controls, nickel hardware and bakelite neck pickup cover. Have a listen to the soundclips of this bass, through several vintage amplifiers.
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| 1966 Gibson EB0 |
 Profile of a 1966 Gibson EB0 bass. The EB0, like it's big brother the EB3, is something of a 1960s classic; the construction (short scale, mahogany body, set mahogany neck), and the famous Gibson EB humbucker positioned at the neck, gave a deep rumble that perfectly suited the musical environment of the early-mid sixties. But by the early-mid seventies things were going long-scale and maple... Nonetheless, this is a finely built instrument, capable of some terrific sounds that really suit certain musical situations. Have a listen to the soundclips of this bass, through various vintage amplifiers.
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See older updates
| 1970 Rosetti Epiphone guitar catalogue |
 Scan of 1970 Epiphone guitar catalogue produced by Rosetti for the UK market. Undated but most likely from mid-late 1970, this was the first UK catalogue to show the new range of Japanese (Matsumoku) Epiphone guitars. Interestingly, these pages show the Epiphone solid bodies with a single-sided Fender-style headstock layout - a feature quickly replaced with a typical two-sided Epiphone headstock almost immediately. Epiphone electric guitars: 9520, 9525; bass guitars: 9521, 9526; acoustic guitars: 6730, 6830, 6834
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| A World of Guitars by Rosetti - 1971 |
 Scan of 1971 Rosetti catalogue (UK) featuring guitars from from numerous manufacturers worldwide: guitars by Epiphone, Hagstrom, Levin, Hoyer, Egmond, Eros, Moridaira, Kiso-Suzuki, Schaller, and Tatra.
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| 1971 Selmer guitar catalogue |
 Scan of 1971 Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. 1960s Selmer had always placed Hofner at the front end of their catalogues, no doubt these were the better sellers - but into the 1970s Hofner were slipping somewhat and only appear at the tail end of this publication, pride of place going to Gibson, and to a lesser extent Yamaha. In fact this is the last Selmer catalogue to include the many Hofner hollow bodies (Committee, President, Senator etc) that had defined the companies output for so many years - to be replaced in the 1972 catalogue by generic solid body 'copies' of Gibson and Fender models. A number of new Gibson models are included for the first time: the SG-100 and SG-200 six string guitars and the SB-300 and SB-400 basses.
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| 1968 Selmer guitar catalogue |
 Scan of 1968/1969 Selmer guitar catalogue (printed July 1968), showing the entire range of electric and acoustic guitars distributed by the company: guitars by Hofner, Gibson, Selmer and Giannini. Selmer were the exclusive United Kingdom distributors of Hofner and Gibson at the time, and this catalogue contains a total of 18 electric guitars, 7 bass guitars, 37 acoustics, and 2 Hawaiian guitars - all produced outside the UK and imported by Selmer, with UK prices included in guineas. This catalogue saw the (re-)introduction of the late sixties Gibson Les Paul Custom and Les Paul Standard (see page 69) and the short-lived Hofner Club 70. Other electric models include: HOFNER ELECTRICS: Committee, Verithin 66, Ambassador, President, Senator, Galaxie, HOFNER BASSES: Violin bass, Verithin bass, Senator bass, Professional bass GIBSON ELECTRICS: Barney Kessel, ES-330TD, ES-335TD, ES-345TD, ES-175D, ES-125CD, SG Standard, SG Junior, SG Special GIBSON BASSES: EB-0, EB-2, EB-3 - plus a LOT of acoustics branded Gibson, Hofner, Selmer and Giannini
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| 1961 Hofner Colorama I |
 Hofner Colorama was the name UK distributor Selmer gave to a series of solid and semi-solid guitars built by Hofner for distribution in the UK. The construction and specifications of the guitars varied over the period of production, but by 1961 it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. Available as a single or dual pickup guitar, this sngle pickup version would have been sold in mainland Europe as the Hofner 161.
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| 1971 Commodore N25 (Matsumoku) |
 Commodore was a brand applied to a series of guitars produced in Japan at the well-respected Matsumoku plant from the late 1960s to the mid 1970s - and sold primarily (perhaps exclusively?) in the United Kingdom. The models bearing the Commodore name were all guitars available from different distributors with different branding. Although there may have been some minor changes in appointments (specifically headstock branding) most had the same basic bodies, hardware and construction. Equivalent models to the Commodore N25 (and this is by no means an exhaustive list) include the Aria 5102T, Conrad 5102T(?), Electra 2221, Lyle 5102T, Ventura V-1001, Univox Coily - and most famously the Epiphone 5102T / Epiphone EA-250.
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| 1960 Hofner Colorama II |
 The Hofner Colorama was the name given by Selmer to a series of solid (and semi-solid) body Hofner guitars distributed in the United Kingdom between 1958 and 1965. The Colorama name actually applied to some quite different guitars over the period, but in 1960 it was a very light, semi-solid, set necked guitar with one (Colorama I) or two (Colorama II, as seen here) Toaster pickups. Although an entry-level guitar, it was very well-built, and a fine playing guitar; certainly a step up (at least in terms of craftsmanship) from many of the Colorama guitars that would follow, and a good deal of the guitars available in Britain circa 1960.
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