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Fly Guitars Interview: Andy Hess - Part 2: Bass guitars

Introduction | Gov't Mule | Bass guitars


Basses

The main studio basses played by Andy Hess: shortscale Gibson EB0, Fender Telecaster bass, Precision, Hofner Violin bass, another Precision, and finally a longscale EB, the Gibson EB0L The main studio basses played by Andy Hess: shortscale Gibson EB0, Fender Telecaster bass, Precision, Hofner Violin bass, another Precision, and finally a longscale EB, the Gibson EB0L
Image mule.net

FlyGuitars Why did you choose to work with Geordie Johnson?

Andy Hess Warren had already been friends with Geordie and was a big fan of his and respected him tremendously. He knew that Geordie was in to producing and so he called him and Geordie was very excited to be part of it. We went down to Austen, Texas and recorded down there in a studio that Geordie works in a lot cause that's where he lives with his family. It was really a great experience working with him, it was very challenging and he brought in some great basses, I played a Gibson EB-OL on some of the session.

FlyGuitars I've always identified you as using Fender basses?

Andy Hess I'm mostly a Fender guy I'll be honest with you but Geordie bought in a nice Hofner Beatle bass that I played on a couple of tracks and I played Geordie's EB-O as well as the EB-OL that I had bought down in Austen in a guitar shop. I mixed it up on this record and I do also have a Thunderbird at home but I haven't really been using it except on Deja Voodoo on a couple of tracks; Bad Man Walking and on Mister Man.

Andy Hess, Fender Precision, Ampeg SVT with 8x10 cab
Andy Hess, Fender Precision, Ampeg SVT with 8x10 cab
Image 3800K Photography
Andy Hess plays his Gibson EB0L bass
Andy Hess plays his Gibson EB0L bass
Image mule.net
Andy Hess with his early seventies Fender Telecaster bass
Andy with his early seventies Fender Telecaster bass
Image mule.net

FlyGuitars What did you like about the different basses having been used to using your Fenders?

Andy Hess It was just a different tone, Gibson make great basses too. It just happened to be that I was always a Fender person and I fell in love with the Precision but it was also great to use a Hofner on a couple of songs. They all sound different they all bring a different tone.

FlyGuitars I think that adds to the album having the different tones on each track. When you were using the EB-O and the EB-OL how did you record the bass track in the studio?

Andy Hess It was definitely a weird concoction that Geordie came up with. He'd mic the cabs and then we also went direct through this weird effect and he definitely mixed it up a little bit. We also used various Fender amps including guitar amps, it wasn't the standard set up. There's a couple of tunes where later we went back to New Jersey and I had to do a couple of extra tracks and I went through an Ampeg B15 which is what I usually do. On the road I use the Ampeg SVT with the 8x10 cabinet. I'm an endorser of Ampeg and I love their amps, they're great, they just work for me.

FlyGuitars I think they work for a lot of people, they are well made amps and you get a great sound through them as well. From memory seeing you play in London, you tend to favour playing with your fingers rather than a pick?

Andy Hess Yes definitely I suppose it's just cause I'm used to it and that's how I learned. It just feels good to me and I have control over the stuff I play that way. On occasion I might play with a pick but pretty rarely. Sometimes I'll play with my thumb and I'll mute the strings near the bridge with my palm to get like a dubby thing going but mostly it's my two fingers, the standard. I love the warmth, I'm more into a warm round bubbly sound as opposed to clanky

FlyGuitars Warren's credited for writing the songs on High & Mighty but how do the band approach putting the songs together?

Andy Hess I didn't know any of the songs until I got to Texas. We kind of learned them, we rehearsed a couple of days and became familiar with them and we all worked together on the grooves and the arrangement, and how the song's supposed to feel. Warren presented us the songs, It's not like we knew them all that well before we went in to the studio which is good too. In a lot of ways you kind of get first impressions and often first impressions are very valuable. Although there's something to be said too for really knowing the music but that's just how we did it.

Mule guitar tech Brain Farmer with the Hofner H500/1 Beatle Bass
"Mule guitar tech Brain Farmer with the Hofner H500/1 Beatle Bass"
Image mule.net

FlyGuitars Brian (Farmer, left), the bands guitar tech seems to be a busy man and he's always there for you guys. Bearing in mind his workload, do you tend to use just the Fender basses on tour or are you taking out other basses?

Andy Hess He's the greatest in the world. He takes care of my basses and he sets them up beautifully for me and he's a good man to have on the team. I use the Fender and I've been using the Gibson EB-OL that I brought in Texas a lot but mostly I have to say I play my Fender P basses. I do have a Fender Telecaster bass in the arsenal.

FlyGuitars People tend to sit on one side of the fence or the other they'll be a Fender player or a Gibson player so it's interesting to speak to somebody who likes Fenders but who also likes picking up Gibsons.

Andy Hess I love my Fenders, I'm never going to not play my Fender basses. I think the Fender Precision bass is one of the greatest basses, that's just a classic. That's what I'm used to and I love them but I've definitely got to really love my EB-O too. It works for certain songs perfectly.





Thanks to Andy Hess and Graham Fieldhouse for the interview, Jim Walsh of Big Hassle Publicity, Hard Head Management and Brian Shupe of 3800K Photography for providing the images

Further reading: Warren Haynes on Allen Woody | Other FlyGuitars interviews
Andy Hess website | Gov't Mule website

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Gibson SB-400 Bass Guitar Body Neck Hull Carcass Project Vintage 1973 Walnut

Gibson SB-400 Bass Guitar Body Neck Hull Carcass Project Vintage 1973 Walnut

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$900


Vintage 1973
Gibson SB-400 Bass Guitar Body Neck Hull Carcass Project
Original finish, Played Perfectly Upon Disassembly, No Repairs
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Nut Width 1 70 "
Scale Length: 34 "
Weight As Is 6 Pounds, 1 Ounce
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1967 Gibson EB-2C Bass fabulous special ordered EB-2 in "Sparkling Burgundy" !

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The Gibson EB-2 Bass was invented in 1959 & made famous by many players. This example is oh-so rare & very special ordered by its 1st owner & is 1 of the coolest special ordered EB-2C??s from 1967. Its beautiful slightly faded original ??Sparkling Burgundy?? custom color finish is what this is all about & it??s so frickin rare. Its 1 piece mahogany neck feel delicious. No volute nor Made in the USA stamp. She??s got a perfect orange label too. Its pickgard is missing. Its ... more
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1964 Gibson Thunderbird IV Bass 1 of the best originals its 1 of a kind & Minty

1964 Gibson Thunderbird IV Bass 1 of the best originals it's 1 of a kind & Minty

Fort Lauderdale, Florida, 333**, UNITED STATES OF AMERICA

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These early production Reverse?? Thunderbird??s & Firebird??s were so far ahead of time & very few were ever made comparatively to Fender??s P & J Basses. This particular example was ordered in Gibson??s most popular color of a Dark 2-tone Sunburst finish all over its neck & body. Very little yellowing appears yet she has slight playtime all over. These tend to get funky from playing in bars & clubs & get nicotine stained. Its rosewood fingerboard is straight as an arrow ... more
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1968 Gibson EB2 Bass Cherry w /  OHSC

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Towson, Maryland, 212**, UNITED STATES OF AMERICA

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[contenteditable]{ pointer-events: none; }1968 Gibson EB2 Bass Cherry w / OHSC
1968 Gibson EB-2 Bass in Cherry with original hardshell case??a vintage semi-hollow thumper with unmistakable Gibson character. The double-cut hollow body design delivers a deep, woody low end with a warm, blooming response, while the neck-position humbucker provides that classic ??mudbucker?? fullness that sits perfectly in the mix and a bridge humbucker with a little more bite. Its short-scale feel makes it ... more
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Gibson EB-0 Circa 1964 Electric Bass Guitar

Georgetown, Ohio, 451**, UNITED STATES OF AMERICA

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Sounds and plays so good! Has all the vintage tone and good mojo. Straight neck. Fully functional. Someone has refinished the headstock while leaving the logo. Some cosmetic flaws from its age. This is a classic thumping bass that can take your playing to the next level

Don't miss your chance to own!



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Gibson EBO Bass Guitar 1967 solid wood cherry finish made in the US with case

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This Gibson EBO Bass Guitar is a rare gem for any musician. Crafted in the US in 1967, this solid wood guitar features a cherry finish that shines under any lighting. With its 4-string configuration and electric bass type, it's perfect for any right-handed player looking for a high-quality instrument The guitar comes with a case, making it easy to transport and protect while on the go. Its brand, Gibson, is well-known for producing top-of-the-line guitars that are both durable and powerful. This... more
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Up for sale, a 1964 Gibson EB-0 in excellent, 100% original condition and in perfect working order, complete with the original hardshell case. Introduced in 1959 in response to declining sales of the EB-1, the EB-0 originally came with a Les Paul Junior style body, quickly superseded by the SG style body in 1961, boasting a short 30 1 / 2?? scale length
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1972 Gibson EB-3 Mahogany Maple neck Bass Guitar first year 1972 has Gibson logo

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The 1972 Gibson EB-3 The first Model Mahogany Bass Guitar is a vintage electric bass guitar that exudes classic style and timeless appeal. With a short scale body made of mahogany with a maple neck and a right-handed design, this 4-string bass guitar features a rosewood fretboard for a smooth and rich tone. This model, part of the Gibson series, comes with a hard case for added protection and easy transport. Whether you're a seasoned musician or a beginner looking to add a vintage touch to your ... more
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Up for sale, a 1963 Gibson EB-0 in excellent, 100% original condition and in perfect working order, complete with the original hardshell case. Introduced in 1959 in response to declining sales of the EB-1, the EB-0 originally came with a Les Paul Junior style body, quickly superseded by the SG style body in 1961, boasting a shorter 30 1 / 2?? scale length
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Vintage Gibson Grabber Bass 1974-1975

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Subway guitars in Berkeley California has been the bay area's premier guitar chop shop since 1968. Our staff of highly trained trolls have been building and rebuilding all manner of instruments for as long as they can remember.
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1968 Gibson EB-2D Bass a very original example ready to enjoy for 58 more years.

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