Basses
FlyGuitars Why did you choose to work with Geordie Johnson?
Andy Hess Warren had already been friends with Geordie and was a big fan of his and respected him tremendously. He knew that Geordie was in to producing and so he called him and Geordie was very excited to be part of it. We went down to Austen, Texas and recorded down there in a studio that Geordie works in a lot cause that's where he lives with his family. It was really a great experience working with him, it was very challenging and he brought in some great basses, I played a Gibson EB-OL on some of the session.
FlyGuitars I've always identified you as using Fender basses?
Andy Hess I'm mostly a Fender guy I'll be honest with you but Geordie bought in a nice Hofner Beatle bass that I played on a couple of tracks and I played Geordie's EB-O as well as the EB-OL that I had bought down in Austen in a guitar shop. I mixed it up on this record and I do also have a Thunderbird at home but I haven't really been using it except on Deja Voodoo on a couple of tracks; Bad Man Walking and on Mister Man.
FlyGuitars What did you like about the different basses having been used to using your Fenders?
Andy Hess It was just a different tone, Gibson make great basses too. It just happened to be that I was always a Fender person and I fell in love with the Precision but it was also great to use a Hofner on a couple of songs. They all sound different they all bring a different tone.
FlyGuitars I think that adds to the album having the different tones on each track. When you were using the EB-O and the EB-OL how did you record the bass track in the studio?
Andy Hess It was definitely a weird concoction that Geordie came up with. He'd mic the cabs and then we also went direct through this weird effect and he definitely mixed it up a little bit. We also used various Fender amps including guitar amps, it wasn't the standard set up. There's a couple of tunes where later we went back to New Jersey and I had to do a couple of extra tracks and I went through an Ampeg B15 which is what I usually do. On the road I use the Ampeg SVT with the 8x10 cabinet. I'm an endorser of Ampeg and I love their amps, they're great, they just work for me.
FlyGuitars I think they work for a lot of people, they are well made amps and you get a great sound through them as well. From memory seeing you play in London, you tend to favour playing with your fingers rather than a pick?
Andy Hess Yes definitely I suppose it's just cause I'm used to it and that's how I learned. It just feels good to me and I have control over the stuff I play that way. On occasion I might play with a pick but pretty rarely. Sometimes I'll play with my thumb and I'll mute the strings near the bridge with my palm to get like a dubby thing going but mostly it's my two fingers, the standard. I love the warmth, I'm more into a warm round bubbly sound as opposed to clanky
FlyGuitars Warren's credited for writing the songs on High & Mighty but how do the band approach putting the songs together?
Andy Hess I didn't know any of the songs until I got to Texas. We kind of learned them, we rehearsed a couple of days and became familiar with them and we all worked together on the grooves and the arrangement, and how the song's supposed to feel. Warren presented us the songs, It's not like we knew them all that well before we went in to the studio which is good too. In a lot of ways you kind of get first impressions and often first impressions are very valuable. Although there's something to be said too for really knowing the music but that's just how we did it.
Image mule.net
FlyGuitars Brian (Farmer, left), the bands guitar tech seems to be a busy man and he's always there for you guys. Bearing in mind his workload, do you tend to use just the Fender basses on tour or are you taking out other basses?
Andy Hess He's the greatest in the world. He takes care of my basses and he sets them up beautifully for me and he's a good man to have on the team. I use the Fender and I've been using the Gibson EB-OL that I brought in Texas a lot but mostly I have to say I play my Fender P basses. I do have a Fender Telecaster bass in the arsenal.
FlyGuitars People tend to sit on one side of the fence or the other they'll be a Fender player or a Gibson player so it's interesting to speak to somebody who likes Fenders but who also likes picking up Gibsons.
Andy Hess I love my Fenders, I'm never going to not play my Fender basses. I think the Fender Precision bass is one of the greatest basses, that's just a classic. That's what I'm used to and I love them but I've definitely got to really love my EB-O too. It works for certain songs perfectly.
Thanks to Andy Hess and Graham Fieldhouse for the interview, Jim Walsh of Big Hassle Publicity, Hard Head Management and Brian Shupe of 3800K Photography for providing the images
Further reading: Warren Haynes on Allen Woody | Other FlyGuitars interviews
Andy Hess website | Gov't Mule website
Gibson bass guitars for sale
? For Sale: Legendary 1969 Gibson EB-1 Bass ?? A Piece of Rock History! ?
Danbury, Connecticut, 068**, UNITED STATES OF AMERICA
$4500
? For Sale: Legendary 1969 Gibson EB-1 Bass ?? A Piece of Rock History! ?
Own a true piece of music history!
This 1969 Gibson EB-1 Bass is in excellent condition and comes with an incredible pedigree.
This iconic instrument was played by some of the most legendary bassists in rock history:
John Paul Jones of Led Zeppelin
Jack Bruce of Cream
Felix Pappalardi of Mountain
The bass is in excellent shape, with only the pickguard and bridge cover missing ?? a small ... more
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Gibson SB-400 Bass Guitar Body Neck Hull Carcass Project Vintage 1973 Walnut
Spring Hill, Florida, 346**, UNITED STATES OF AMERICA
$900
Vintage 1973
Gibson SB-400 Bass Guitar Body Neck Hull Carcass Project
Original finish, Played Perfectly Upon Disassembly, No Repairs
Neck .895@1st, .990@12th
Nut Width 1 70 "
Scale Length: 34 "
Weight As Is 6 Pounds, 1 Ounce
Very Clean Overall
This is a Vintage 1973 Gibson SB-400 Bass Guitar Body Neck Hull Carcass Project as pictured. This guitar will show wear and flaws as pictured from use and age, but still a great part ready for reassembly with your choice of ... more
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Glastonbury, Connecticut, 060**, UNITED STATES OF AMERICA
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Gibson EB-O Electric Bass Guitar 1972 Walnut Kalamazoo Short Scale Humbucker
New Brunswick, New Jersey, 089**, UNITED STATES OF AMERICA
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1967 Gibson EB-2 Vintage Sunburst Semi-Hollow 4 String Right-Handed Bass Guitar
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The main issue is one that plagues all of these late 60??s EB Basses, and that??s the horrible neck sets on them. Which usually results in crazy high action. And this example is not exempt from that
The neck is very playable up until til about the 7th fret when the action starts to get fairly high. We tried everything we could to get it to a fairly standard height, but to no avail. This is why it is being ... more
1980s Gibson Victory Bass Neck ONLY
Statesville, North Carolina, 286**, UNITED STATES OF AMERICA
$500
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Vintage Gibson EB-2 Modified Bass EB2 ES bass Electric Bass 1960??s
Brisbane, California, 940**, UNITED STATES OF AMERICA
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It is in good condition with lots of playwear - see pics and video
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She's 7 4 lbs on the scale
Here's the specs - please correct us if we've missed anything
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1951 Gibson ES 350
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The main studio basses played by Andy Hess: shortscale Gibson EB0, Fender Telecaster bass, Precision, Hofner Violin bass, another Precision, and finally a longscale EB, the Gibson EB0L




















