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Fly Guitars Interview: Andy Hess - Part 2: Bass guitars

Introduction | Gov't Mule | Bass guitars


Basses

The main studio basses played by Andy Hess: shortscale Gibson EB0, Fender Telecaster bass, Precision, Hofner Violin bass, another Precision, and finally a longscale EB, the Gibson EB0L The main studio basses played by Andy Hess: shortscale Gibson EB0, Fender Telecaster bass, Precision, Hofner Violin bass, another Precision, and finally a longscale EB, the Gibson EB0L
Image mule.net

FlyGuitars Why did you choose to work with Geordie Johnson?

Andy Hess Warren had already been friends with Geordie and was a big fan of his and respected him tremendously. He knew that Geordie was in to producing and so he called him and Geordie was very excited to be part of it. We went down to Austen, Texas and recorded down there in a studio that Geordie works in a lot cause that's where he lives with his family. It was really a great experience working with him, it was very challenging and he brought in some great basses, I played a Gibson EB-OL on some of the session.

FlyGuitars I've always identified you as using Fender basses?

Andy Hess I'm mostly a Fender guy I'll be honest with you but Geordie bought in a nice Hofner Beatle bass that I played on a couple of tracks and I played Geordie's EB-O as well as the EB-OL that I had bought down in Austen in a guitar shop. I mixed it up on this record and I do also have a Thunderbird at home but I haven't really been using it except on Deja Voodoo on a couple of tracks; Bad Man Walking and on Mister Man.

Andy Hess, Fender Precision, Ampeg SVT with 8x10 cab
Andy Hess, Fender Precision, Ampeg SVT with 8x10 cab
Image 3800K Photography
Andy Hess plays his Gibson EB0L bass
Andy Hess plays his Gibson EB0L bass
Image mule.net
Andy Hess with his early seventies Fender Telecaster bass
Andy with his early seventies Fender Telecaster bass
Image mule.net

FlyGuitars What did you like about the different basses having been used to using your Fenders?

Andy Hess It was just a different tone, Gibson make great basses too. It just happened to be that I was always a Fender person and I fell in love with the Precision but it was also great to use a Hofner on a couple of songs. They all sound different they all bring a different tone.

FlyGuitars I think that adds to the album having the different tones on each track. When you were using the EB-O and the EB-OL how did you record the bass track in the studio?

Andy Hess It was definitely a weird concoction that Geordie came up with. He'd mic the cabs and then we also went direct through this weird effect and he definitely mixed it up a little bit. We also used various Fender amps including guitar amps, it wasn't the standard set up. There's a couple of tunes where later we went back to New Jersey and I had to do a couple of extra tracks and I went through an Ampeg B15 which is what I usually do. On the road I use the Ampeg SVT with the 8x10 cabinet. I'm an endorser of Ampeg and I love their amps, they're great, they just work for me.

FlyGuitars I think they work for a lot of people, they are well made amps and you get a great sound through them as well. From memory seeing you play in London, you tend to favour playing with your fingers rather than a pick?

Andy Hess Yes definitely I suppose it's just cause I'm used to it and that's how I learned. It just feels good to me and I have control over the stuff I play that way. On occasion I might play with a pick but pretty rarely. Sometimes I'll play with my thumb and I'll mute the strings near the bridge with my palm to get like a dubby thing going but mostly it's my two fingers, the standard. I love the warmth, I'm more into a warm round bubbly sound as opposed to clanky

FlyGuitars Warren's credited for writing the songs on High & Mighty but how do the band approach putting the songs together?

Andy Hess I didn't know any of the songs until I got to Texas. We kind of learned them, we rehearsed a couple of days and became familiar with them and we all worked together on the grooves and the arrangement, and how the song's supposed to feel. Warren presented us the songs, It's not like we knew them all that well before we went in to the studio which is good too. In a lot of ways you kind of get first impressions and often first impressions are very valuable. Although there's something to be said too for really knowing the music but that's just how we did it.

Mule guitar tech Brain Farmer with the Hofner H500/1 Beatle Bass
"Mule guitar tech Brain Farmer with the Hofner H500/1 Beatle Bass"
Image mule.net

FlyGuitars Brian (Farmer, left), the bands guitar tech seems to be a busy man and he's always there for you guys. Bearing in mind his workload, do you tend to use just the Fender basses on tour or are you taking out other basses?

Andy Hess He's the greatest in the world. He takes care of my basses and he sets them up beautifully for me and he's a good man to have on the team. I use the Fender and I've been using the Gibson EB-OL that I brought in Texas a lot but mostly I have to say I play my Fender P basses. I do have a Fender Telecaster bass in the arsenal.

FlyGuitars People tend to sit on one side of the fence or the other they'll be a Fender player or a Gibson player so it's interesting to speak to somebody who likes Fenders but who also likes picking up Gibsons.

Andy Hess I love my Fenders, I'm never going to not play my Fender basses. I think the Fender Precision bass is one of the greatest basses, that's just a classic. That's what I'm used to and I love them but I've definitely got to really love my EB-O too. It works for certain songs perfectly.





Thanks to Andy Hess and Graham Fieldhouse for the interview, Jim Walsh of Big Hassle Publicity, Hard Head Management and Brian Shupe of 3800K Photography for providing the images

Further reading: Warren Haynes on Allen Woody | Other FlyGuitars interviews
Andy Hess website | Gov't Mule website

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VINTAGE 1972 Gibson Bass Electric Guitar *The Ripper*

VINTAGE 1972 Gibson Bass Electric Guitar *The Ripper*

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This is a beautiful Custom Color example of Gibson's EB-0 bass, pretty much identical to this by so many famous bass players from 1965 into the mid-70s. It's a very special ordered example in Gibson's Ember Red finish all over much like Fender's Dakota Red finish. It's an outstanding show piece showing only the slightest play time w / virtually no fade from new. The 30 1 / 2" scale neck is chunkier than later examples, with a noticeably wider nut than those made after mid-late 1965. While the ... more
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Gibson EB-0 Electric Bass Guitar 1973 Walnut With Original Hard Case

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Vintage Gibson USA
1973 Gibson EB-0 Electric Bass Guitar
Walnut
With Original Purple Lined, Gibson Branded Hard Case
Plays / Sounds Great!
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Year: This Guitar Was Dated By The Pot Codes. Both Date 1973 With Original Solder Joints
Weight: 8 Pounds, 7 Ounces
Scale Length: 30 5 "
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Spring Hill, Florida, 346**, UNITED STATES OF AMERICA

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Vintage 1973
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Original finish, Played Perfectly Upon Disassembly, No Repairs
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Pulled from the hands of a curious child. The bridge, pick up cover and nut was missing. The child took off the binding. I started by leveling the neck, then conditioned the frets. The action is amazing. I made custom pick up cover and plate at rear of bridge for cosmetics. I carved a brass nut for it.... more
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GIBSON VICTORY STANDARD BASS GUITAR - RARE

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Gibson EB-3 Mahogany 1970-75 Electric Bass Guitar Orig. Case Slotted Head 961211

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Available for your consideration is this stunning Gibson EB-3 bass guitar. It has a scale length of 31 inches, and a serial number of 961211.
To the best of our knowledge, this is most likely a 72 to 75 production of the EB-3 in mahogany
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Type: Bass
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Item Specific Notes: Scuffs and wear
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Total Length: 45 in
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1974 GIBSON EB4L RARE LONG-SCALE BASS MAHOGANY ROSEWOOD BROWN WELL-PLAYED W / OHSC

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PRE-MEMORIAL DAY SALE & FREE USA SHIPPING!
I have always loved these basses because they are hard-to-find and just have a pleasing tone. If you are looking for a bass in pristine condition, please look elsewhere! The Bass Palace made a name over 35 years by providing cool basses that we rated on vibe, playability and the in-hand experience. This bass is all-original with its brown finish, mahogany body & neck and a rosewood fretboard. It's got a single big humbucker but it's not ... more
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A really cool bass that was always in this shape. Owned for about 5 years and planned to redo it. Im more of a guitarist so Im thinning the heard. Looks great. I think the bridge is a dimarzio and there have been other pots once installed. The switches seem to be boosts for the pickups. And Volume for each pickup. No tone option. Another routes on the back. Gibson sticker gone. Some screws missing on the back and rusty input screws but everything stays together. Was also like that

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VINTAGE GIBSON BASS GUITAR 1970 EB-0 SLOTTED HEADSTOCK RESTOMOD ONE OF A KIND!

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Extremely RARE model 1970 Gibson EB-0 that has been restored with premium parts, not generic junk. YOU WILL NEVER SEE ANOTHER ONE LIKE THIS. SEE ALL PICTURES FOR COMPLETE DESCRIPTION!! FIRST of all the split headstock is already extremely rare (only for 69 / 70) but this one has a VOLUTE (bump on back of headstock), which according to my research shouldn't even exist on a split headstock as it was added to strengthen after they did away with the breakage prone split headstock. I HAVE NEVER SEEN ... more
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1979 Gibson Ripper Fretless Ebony Black OHSC Rare

1979 Gibson Ripper Fretless Ebony Black OHSC Rare

Salt Lake City, Utah, 841**, UNITED STATES OF AMERICA

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For Sale: 1979 Gibson Ripper Fretless ?? Ebony Black w / OHSC
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This 1973 Gibson SB-450 electric bass is a classic early-??70s American-built instrument featuring a natural finish and period-correct construction, enhanced with modern performance upgrades for improved playability and tone
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[contenteditable]{ pointer-events: none; }1968 Gibson EB2 Bass Cherry w / OHSC
1968 Gibson EB-2 Bass in Cherry with original hardshell case??a vintage semi-hollow thumper with unmistakable Gibson character. The double-cut hollow body design delivers a deep, woody low end with a warm, blooming response, while the neck-position humbucker provides that classic ??mudbucker?? fullness that sits perfectly in the mix and a bridge humbucker with a little more bite. Its short-scale feel makes it ... more
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Subway guitars in Berkeley California has been the bay area's premier guitar chop shop since 1968. Our staff of highly trained trolls have been building and rebuilding all manner of instruments for as long as they can remember.
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