Gibson Victory, Gibson Explorer
As well as an artist, Dave is known for his publicity work for Gibson, particularly the Gibson Victory adverts of 1981. In fact Dave had three Victory basses from Gibson: a red Victory Artist (that appears in the advertisements), a white single pickup Artist (single pickup like a Standard, but with active circuitry like a Artist) which was stolen, and another identical replacement.
FlyGuitars When did you first hear about the Gibson Victory?
Dave Kiswiney Pat Aldworth, the artist rep, told me they were making a bass, more like a Fender type of thing, and did I have any input. And i'd get with Chuck (Burge - read his interview on the development of the Victory bass) and and we'd talk about it, and he'd say what do I like, you know. The V came from the way the pickup configuration is that's how they named it Victory... because they had a slanted front and straight treble one, and they slanted it like that and got 24 frets out of the first string.. and then they looked at it and it looks like a V, so they just decided that's why they call it the Victory. That's what they told me because it looks like you're holding a letter V.
FlyGuitars Can you remember what input you gave Chuck back then?
Dave Kiswiney A bigger, more massive, more adjustable bridge... the thing they ended up with, that's a Schaller. And active pickups. Lots of boost on the low end, and on the high end I liked a lot more variations. I like active basses, just wanted it to be active. Other than that, balance; some of the Gibsons i've had fall down.
Chuck Burge was the king, and if you went to his shop.. my gosh.. he would make some incredible stuff.. he was an artist, really a genius.. just a way lot of stuff going on in his brain, you know, he was really something. And he made that Victory bass, and he gave it to me and I did the ad with it, and they let me leave the property with it. Chuck said it's yours, get it out of here. That’s prototype number 8. It's a monster.
We did it in a theatre in Kalamazoo, I think it's the State. It was an old movie theatre and they had a proscenium stage, and that's where we did it. I was at the edge of the stage wearing that same jacket; it was the same photo shoot.. I was holding that thing up in the air. It's not a candy apple red either, it's an awful tomato soup red.
FlyGuitars Is the back of the neck red?
Dave Kiswiney No not on that one, the back of the neck is Maple and it's got a stamp on it that says 'Gibson prototype' 08.
FlyGuitars How did you lose your first white Victory bass?
Dave Kiswiney I took a flight to Fort Lauderdale to do an album with Pat Travers, (Hot Shot) 1983 - and I had two basses a Fender and Gibson; that white (single pickup) Gibson Artist that he made for me - and it never came off the plane. It just never came from Detroit.. and I had metal cases, hardshell cases. The Fender came off the plane but the Gibson did not.
He (Chuck Burge) started making another for me right away. There was a tour that we did where we all had white Gibsons. It was the Bound and Gagged tour I believe, anyway, at the end of the show we all stood in the middle and held up our guitars in a three-way. Ted had a skull crossbones painted on the back of his. It wasn't a Byrdland, it was a Howard Roberts Fusion maybe, and they painted on the back, it had this big skull and crossbones and he stood in the middle with that holding it by the neck, up in the air, and Derek and I would cross in front of it with our white.. he painted the neck white on that, you know, so that was the reason for that.
FlyGuitars How did your Victorys differ from stock instruments?
Dave Kiswiney Well Chuck carved the heel out on the white one; where the neck joins the body and it's square, he rounded that off so your hand fit on it really nice. The one that got stolen was even more so, and where your hand fits up like on the 21st, 22nd fret on the first string it's indented a little bit more and leaned in, carved in. He did that for me. Chuck was an artist and genius. He didn't talk much, he was a Michigan Guy and an artisan, and he built some really cool stuff. (It's) a single pickup but it's got activate electronics in it. The only other one out there Tim Shaw's got. I said "I've got the only one you made for me", he said "no you don't, I've got two!". Who knows what he walked out of Gibson with. The single pickup artist is beautiful, you should see it.. the patina on it, it's absolutely amazing what's happened to these basses over the years, you know it's 45 years old
FlyGuitars Is that the one in the bass frontiers video?
Dave Kiswiney Yes that's it, yep that's it
FlyGuitars I noticed that, unusually, it's got the black hardware, the black bridge. Is that something you asked for?
Dave Kiswiney No. I may have, but I don't think I did, I think they just did it for me that way. And it's beautiful, it's got a brass nut, it's an absolutely gorgeous bass, and not only that, they gave me a fretless neck for it. For both the guitars I have a fretless neck. just bolts on perfectly. how about that?
But I mean I love the bass.. they're the heaviest things i've ever owned but you get used to it after a while you don't even realize; they play so good. The Victory's not light, but it's lighter than the RD I think. It's 12/4 lbs, the red one. That's pretty heavy. But I can stand with it. I actually perform better standing, my parts I might learn them sitting down but, I like to stand up when I play.
FlyGuitars The red Victory had serial number #08. What about the white one?
Dave Kiswiney No serial number. It just says Gibson custom shop original, but no serial number. How about that? And this is the replacement. This one (the accompanying fretless neck) has a serial number, it's very faded 82741573 that's what it looks like. It was stamped and then it was heavily lacquered.
Gibson Explorer
Single pickup active Explorer bass. The bass appears to have a 1986 serial number (80566525) which doesn't quite make sense! See text.
Dave Kiswiney I've got an Explorer bass here, that's medium scale. I told Tim (Shaw) I said "can you make it active?" and he said "well, yeah, we don't have anything that would fit in there, but..." so they took the circuit board out of a Chet Atkins acoustic gut string. He took the circuit board from that and plopped it in this Explorer bass; cut it out and put it in the back. And it's ungodly. Like something from another planet. I played it in 1984, it was just the coolest bass, it plays so good and it's louder than bejesus. I mean it's just a monster. It's absolutely a monster. The paint job on it is a cherry red.. everything but the neck has rolled up, the body rolled up on the back and the front, and the paint, if you're not careful with it, will fall off it.. it's absolutely beautiful but the neck didn't do that, just the body
This Is what kills me about that Explorer. I got it for the '84 tour because Dave Amato was in the band, he now plays with REO Speedwagon, and he had Gibsons, and all kinds of weird shape things, Flying Vs and stuff like that, and it just seems like '84 was the year for that to come back with Ted. He didn't tour in '83, and going back out there with Brian Howe, who was the singer who went on to Bad Company. But I had that red guitar; they built it for me. Tim Shaw put the electronics in it from a Chet Atkins acoustic electric. I said wanted it active, and they didn't have anything, so Tim Shaw figured out how to wire it into that bass. I've got extra boards for it; he said I don't know what will happen but if this gets screwed up you've got a couple extra circuit boards. And they're still here some place, i've got them even to this day. When you plug that thing in it takes a second for it to fire up, you can strike a note it doesn't come out it goes...... (makes noise). And it's goes through batteries you know, I take the batteries out of it when it's on display. I don't want anything to go wrong with it, any ones that are active I go and check the batteries on them, you know like those Victorys, because I don't want this stuff to rot especially that Explorer. But I got it in 84, I swear to God I don't know why it's got a number on it like that. I got that in Kalamazoo. They gave it to me in '84. I'd moved back from Maui in '83. My father had passed away I moved back, and moved all my stuff back and had an apartment in Ann Arbor, Michigan, and that's where Nugent headquarters were, so we rehearsed for the tour in like January, February, and I was going to Gibson I was driving to Kalamazoo and they made that bass for me.. and yeah there was no talk of Heritage or any of that, so I went out on the road with the Ripper, the Explorer, and a Fender. The Fender had an 8 string conversion bridge called 'Octopus' - I cannot find another like it. I always took the Ripper out, but it was not my primary. In '84 the Explorer was the primary. I had those three basses. it's all I had and I played it for the whole tour.
Thanks to Dave Kiswiney for taking the time to be interviewed, and for supplying images
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